Spencer FinchGorgeous Nothing 52, Flower Power, 2026

Archival inkjet print, pressed flowers, gouache, colored pencil and collage on paper

23.5 x 24.4 cm, 9 ¼ x 9 ⅝ in

About the artist

is best known for ethereal light installations that visualise his experience of natural phenomena. His investigations into the nature of light, colour, memory and perception manifest in watercolours, drawings, video and photographs. Compelled by what he describes as ‘the impossible desire to see oneself seeing’, Finch holds up an enchanting prism between the outer world and inner thought. He distills his observations of the world into glowing abstract colour but also diverts them through cultural and historical filters: in homage to Emily Dickinson’s 1862 poem Before I got my eye put out , he measured the sunlight in her Massachusetts garden then recreated the effect of a passing cloud by means of fluorescent tubes covered in gel and suspended theatre filters. He has painted the changing shades of grey on Sigmund Freud’s ceiling in Vienna, Austria, viewed from the psychoanalyst’s couch and later, in 102 Colors from My Dreams (2002), recorded the colours he saw in his sleep then colour-matched inks to make a sequence of Rorschach blots. His monumental installation Trying To Remember the Color of the Sky on That September Morning (2014), on display at the National September 11 Memorial Museum in New York, features a mosaic of hand-painted shades of blue, while his Crossrail commission for Paddington Station in London, A Cloud Index , consists of a 120m long canopy depicting more than 32 cloud types.

About the artist

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