Daniel GuzmánEnsayo para una escena de crucifixión. De la serie: “El hombre que debería estar muerto. Apuntes de la casa muerta”, 2023

Pencil, Black Creta colored pencil and acrylic on Stonehenge paper on a wooden frame

57 x 76 cm

About the artist

Voracious reader and incurable music lover, Daniel Guzmán digests, absorbs and recombines musical and literary references at his own discretion. His work is marked by an almost autobiographical sincerity. Comics and cartoons, song lyrics, Pre-Hispanic iconography and sensational press clippings – residues of the artist’s daily life in Mexico City and, more recently, in Guadalajara – combine and reconfigure as part of his vocabulary. Resulting from a constant, disciplined search, his drawings are guided by his hand’s intuition, which translates his references and imagination unto paper. Ink, pencil, acrylic or pastel alike serve to create images that seem to be in constant transformation, and which sometimes interlace with texts in a complex weave of connections and connotations. His sculptures, videos and installations are a reflection of a very personal and intimate territory, that emerges from such close examination of the culture and the urban landscape that surrounds him. With a strategic and contagious sense of humor, Guzmán shares the wide range of influences he has cultivated, and through which he reflects upon his experience of the world. Guzmán earned his BFA in 1993 from the Escuela Nacional de Artes Plásticas in Mexico City. In 2000, he was a resident at the International Studio & Curatorial Program (ISCP) in New York. He has been the recipient of various grants and awards from the Mexican Ministry of Culture, including: Sistema Nacional de Creadores (2005); FONCA: Jóvenes Creadores (1997); and the 1st Place from the II Concurso de Instalación Ex Teresa Arte Actual (1996).

About the artist

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