Since the 1980s, Leiko Ikemura has explored themes of transition, cross-culturalism, collective responsibility, and sexuality, emancipating the feminine body from its position in history and mainstream contemporary culture by challenging artistic conventions and disrupting social norms. The internationally recognized artist seamlessly shifts between luminous, otherworldly and often monumental oil paintings, introspective drawings and watercolours, glazed terracotta sculptures, glass and ceramics.
Focusing on the transient innocence of childhood, Ikemura’s female spirits are defiant and independent, yet fragile and ethereal, almost ghost-like, bestowing the spirits with a composite power to exist within multiple worlds, between dreaming and waking states. A central, recurring motif in Ikemura’s work is the ‘usagi’, Japanese for rabbit, which first appeared in her work following the Tōhoku earthquake and Fukushima nuclear accident of 2011 and the subsequent reported birth defects in animals. This mythical hybrid creature considered a messenger for the ‘kami’ (gods), integrates rabbit ears with a human face, personifying universal suffering, resilience and renewal while questioning cycles of creation and destruction. Fusing Eastern and Western art – conceiving a realm inspired by East Asian sansuiga painting traditions, old Japanese masters, surrealism, post-war abstraction, and the revival of figurative painting in the 1980s – Ikemura’s spiritual works are imbued with a raw and tender presence that highlights the intimate relationship between human, animal, plant, mineral forms, and cosmology.
