ROMULUS x THE ARMORY SHOW, SEPTEMBER 24–27, 2026ROMULUS x THE ARMORY SHOW, SEPTEMBER 24–27, 2026
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ROMULUS x THE ARMORY SHOW, SEPTEMBER 24–27, 2026ROMULUS x THE ARMORY SHOW, SEPTEMBER 24–27, 2026
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Amanda Martínez, Ear to the ground (T. lucida)

Amanda MartínezEar to the ground (T. lucida), 2021

Hand carved pine and found spruce, baltic birch plywood from artist's former illegal live/work loft, wax emulsion with sustainably grown and cooperatively farmed tagetes lucida (Mexican mint marigold)

45 x 16 x 19 in

About the artist

Amanda Martinez is a sculptor whose works contain tessellated patterns that embrace a slowness both in process and reception. Though an attention to detail and uniformity across her surfaces may signal a mechanical means of production, Martínez in fact constructs her works entirely by hand. Inventing her own language of geometric abstraction, fashioning stencils or “profiles” of undulating shapes as distinct units of measurement, she maps out and carves her sculptures into discrete building blocks with infinite possible configurations.⁠ Amanda Martínez (b. 1988, Greenville, SC) received her Bachelors in Fine Arts from Kansas City Art Institute. She recently completed Cercado, an installation in the Brooklyn Botanical Garden as part of the Ankhlave Garden Project Fellowship. Solo presentations of her work include The Aldrich Contemporary Art Museum; Ridgefield, CT; Aichi Prefectural Museum of Art, Nagoya, Japan; Here Gallery, Pittsburgh, PA; HESSE FLATOW, New York, NY; Victori+Mo Gallery, Brooklyn, NY; and Platform Gallery, Baltimore, MD, among others. Her work has been reviewed in Curbed, Surface Magazine, Architectural Digest, The New Yorker, The New York Times , among others. She l ives and works in Brooklyn, NY.

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Vestige, 2021

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Inherent Need, 2021

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Señal, 2022

Hand carved foam and wood, enamel, shredded tire rubber, acrylic polymer on pigmented stucco built to housing code (portland cement, sand, lime, water, pigment on wood, roofing tar paper and galvanized steel lathe) on found lumber pedestal

49 1/2 x 16 x 7 1/4 in

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Deletion, inversion, 2022

Hand carved polystyrene, enamel, shredded tire rubber, acrylic polymer on wood

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Lazos que unen (Colcha bordado II.), 2023

Dyed merino wool thread on industrial wool felt

29 1/2 x 33 x 1 in

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Guía, 2024

Oxide pigmented cement, pigmented mortar, gravel, cement board, knotted dyed raffia, adobe (soil, clay, straw, sand, water)

31 x 13 x 17 1/2 in

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Working Meditation III. (Saltillo), 2024

Found polystyrene, wood, enamel, shredded tire rubber, sand, acrylic polymer

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Self map, 2022

Hand woven dyed natural reed, found wood, enamel

25 x 25 x 3 1/2 in

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Índice, 2022

Hand woven dyed natural reed, found wood, enamel

18 x 13 x 3 1/2 in

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