Monika Sosnowskacorridor, 2013

plaster board, glass, metal, plastic, paint, fluorescent light

94.5 x 383.5 x 9.8 in

About the artist

, best known for her enormous skeletal architectural forms, exploits the engineering gifts of these elements and the imperceptible grace of their designs. Her sculptures of mutilated building elements are not creative approximations of architecture: they are fabricated building elements distorted and reassembled. Sosnowska’s structures crumple like paper, bend and contort to the demands of historical time and the force of an ideological gravity. The artist shows her ability to sublimate the traces of destruction, like an urban archeologist seeking pages of history. Structures of support are malleable and flimsy when removed from their context: ungrounded and unhinged, they become purposeless. Intended to enclose, protect and assist us, they are the most telling when they fail. A broken step doesn’t go unnoticed. But something animates these truncated forms; something ghostly resonates from the cold industrial material. The works are reminiscent of something familiar, something known, but only in memory - or perhaps constructed out of it. Sosnowska explores the shift in viewers' understanding of a work: the moment when reality gives way to another space, psychic or historical. Monika Sosnowska studied at the University of the Arts Poznan (UAP) in Poland. In 1998 she completed her postgraduate studies at the Rijksakademie van beeldende kunsten in Amsterdam. In 2003, she was awarded the Baloise Art Prize and Paszport Polityki in visual arts. The artist was shortlisted for the Hugo Boss Prize in 2012 and has participated in artistic residencies at the Atelier Calder in Saché, France (2014) and S-AIR in Sapporo, Japan (2002). Monika Sosnowska lives and works in Warsaw, Poland.

About the artist

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