foregrounds the materality of photography in a digital age, she works with film-based cameras, light sensitive paper, various objects, and her own body to produce cerebral and sensual photographs in which she deconstructs the medium. She produces all her photographs in the studio and darkroom using traditional printing techniques. Confounding and subtle, her work reflects her deep knowledge of the history and theory of photography. In her “Haptic Wonders” series, for example, she emphasizes the physicality of her medium—dependent upon the presence of the photographer and the subject—through a group of photograms. To make these camera-less images, Hovsepian directly exposes light-sensitive paper, partially covered with cut pieces of construction paper or marked with the traces of her fingers. As with all her work, the resulting images suggest that even the most documentary photograph is a mediated creation.
Hovsepian (b.1974, Isfahan, Iran) earned her MFA from the School of the Art Institute of Chicago in 2002, a dual BFA/BA from the University of Toledo in 1999, and studied at the Glasgow School of Art, Scotland in 1998. In 2022, Hovsepian was included in the international exhibition at the 59th Venice Biennale with a room dedicated to her work. Other notable solo and two-person exhibitions include Sheree Hovsepian, Pavillion Renzo Piano at Château La Coste, Le Puy-Sainte-Réparade, FR (2026); Uffner & Liu , New York, NY ( 2025, 2022); Halsey McKay Gallery, East Hampton, NY (2020, 2017); Higher Pictures Gallery, New York, NY (2019, 2017); Team Bungalow, Los Angeles, CA (2019); moniquemeloche , Chicago, IL (2018, 2015, 2011); Centre for Contemporary Photography, Toronto, ON (2014); Bischoff/Weiss, London, UK (2013); Etemad Gallery, Dubai, UAE (2021), among others. Recent group exhibitions include Bemis Center for Contemporary Arts, Omaha, NE (2025); Nicola Vassel, New York, NY (2024); James Fuentes, New York, NY (2024); Shah Garg Foundation, New York, NY (2023); Nicole Klagsbrun, New York, NY (2023); Parrish Art Museum, Watermill, NY (2023, 2021); International Center of Photography, New York, NY (2023); Sidney and Lois Eskenazi Museum of Art Indiana University, Bloomington, IN (2023); Lubeznik Center for the Arts, Michigan City, IN (2022); Rachel Uffner Gallery, New York, NY (2022); Hauser & Wirth, Southampton, NY (2021); Tang Teaching Museum, Saratoga Springs, NY (2020); Half Gallery, New York, NY (2020); CHART Gallery, New York, NY (2019); Stony Island Arts Bank, Chicago, IL (2018, 2017); The Drawing Center, New York, NY (2017), among others. Hovsepian will have a forthcoming solo exhibition at moniquemeloche , Chicago, IL, in 202 7 .
Hovsepian’s work is in the permanent collections of the Solomon R. Guggenheim Museum, NY; Museum of Modern Art, New York, NY; The Art Institute of Chicago, IL; the Bronx Museum, NY; the Studio Museum in Harlem, NY; Shah Garg Collection, New York, NY; The Spertus Museum, Chicago, IL; Northwestern Pritzker School of Law, Evanston, IL; and the Zabludowicz Collection, London, UK. Hovsepian received grants from The School of the Art Institute of Chicago in 2000 and 2002. Residencies include American Academy in Rome, IT (2024); Drawing Center, New York, NY (2016); The Vermont Studio Center, Johnson, VT (2016); The Banff Centre, Banff, Alberta, CA (2015); and Centre for Contemporary Photography, Toronto, ON (2014). She currently lives and works in New York, NY .
