Tatsuo MiyajimaLife (Corps sans Organes) No.11, 2013

L.E.D., IC, microcomputer by Ikegami program, Steel, Plastic cover, passive sensor, electric wire, LED type; Life D-R(6), Life D-BL(2), Life D-W(1), Life D-PG(4), Life G-R(6), Life G-BL(6), Life G-W(2), Life G-PG(3)

190.2 x 242.0 x 11.0 cm

About the artist

is one of Japan’s foremost sculptors and installation artists. Employing contemporary materials such as electric circuits, video, and computers, Miyajima’s supremely technological works have centered on his use of digital light-emitting diode (LED) counters, or ‘gadgets’ as he calls them, since the late 1980s. These numbers, flashing in continual and repetitious—though not necessarily sequential—cycles from 1 to 9, represent the journey from life to death, the finality of which is symbolized by ‘0’ or the void, which consequently never appears in his work. This theory derives partially from humanist ideas, the teachings of Buddhism, as well as from his core artistic concepts: ‘Keep Changing’, ‘Connect with Everything’, and ‘Continue Forever’. Miyajima’s LED numerals have been presented in grids, towers, complex integrated groupings or circuits and as simple digital counters, but are all aligned with his interests in continuity, connection and eternity, as well as with the flow and span of time and space. “Time connects everything”, says Miyajima. “I want people to think about the universe and the human spirit.”

About the artist

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