Iván Krassoievitch

Matamos lo que amamos (Destino, Rosario Castellanos), 2025

Screen printing, and 24K gold leaf on museum glass, framed in Peruvian walnut wood

30.12 x 30.12 x 2.17 in

Iván Krassoievitch

Se habían colmado de suicidio las manos (Prismas, Jorge Luis Borges), 2025

Screen printing, and 24K gold leaf on museum glass, framed in Peruvian walnut wood

30.12 x 30.12 x 2.17 in

Iván Krassoievitch

Si (Luis Cardoza y Aragón), 2025

Lithography, screen printing, and 24K gold leaf on 300g BFK Rives paper, framed in Peruvian walnut wood with museum glass

41.34 x 31.5 x 1.77 in

Iván Krassoievitch

Popol Vuh (Fragmento) (Anónimo), 2025

Lithography, screen printing, and 24K gold leaf on 300g BFK Rives paper, framed in Peruvian walnut wood with museum glass

41.34 x 31.5 x 1.77 in

Iván Krassoievitch

The point where language starts to break down as a useful tool for communication is the same edge where poetry or art occurs. –Bruce Nauman–, 2025

Polyurethane paint and high density panel on a wooden frame

29.53 x 23.62 x 1.77 in

Iván Krassoievitch

Language can only deal meaningfully with a special, restricted segment of reality. The rest, and it is presumably the much larger part, is silence. –George Steiner–, 2025

Polyurethane paint and high density panel on a wooden frame

29.53 x 23.62 x 1.77 in

Iván Krassoievitch

Language is a virus from outer space. –William S. Burroughs–, 2025

Polyurethane paint and high density panel on a wooden frame

29.53 x 23.62 x 1.77 in

Iván Krassoievitch

The words we read and words we write never say exactly what we mean. The people we love are never just as we desire them. The two symbola never perfectly match. Eros is in between. –Anne Carson–, 2025

Polyurethane paint and high density panel on a wooden frame

29.53 x 23.62 x 1.77 in

Rugiyatou Jallow

Behind the veil of the sky, 2026

Acrylic, oil and thread on canvas

36 x 36 in

Rugiyatou Jallow

Joined in the meadow’s spirit, 2026

Acrylic, oil and thread on canvas

36 x 48 in