b. 1987
Working in a variety of media that includes photography, painting and archival interventions, Kelvin Haizel investigates theontological question-what is the object of an image? His practice combines personal inquiry and emergence as strategies of experimentation across time to comprehend the manufacturing of images. After a long hiatus from painting, the artist has returned to the medium to engage with a visual language that is abstract, yet materialist and fictional. He is currently a PhD candidate at the Department of Fine Art and Curatorial Practice, KwameNkrumah University of Science and Technology, Ghana. He earned his MFA (2018) and his BFA in Painting and Sculpture (2010) from the same institution.
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