Amorelle Jacox

Amorelle Jacox’s painting practice is rooted in an exploration of metaphysics, navigating the relationship between the self and the cosmic in both scale and form. A simple description of Jacox’s visual language is elusive, as it can be considered a unique synthesis of color field, transcendentalist, surrealist, and symbolist art-historical influences, as well as a negotiation between abstraction and figuration more broadly. The palpable gravity of her work speaks to the enormity of the existential ideas Jacox is wrestling with, wherein a distinctly feminist approach informs serious philosophical and psychological inquiry. Jacox holds an MFA from Hunter College (2022). Recent exhibitions include Sun Catcher, Time Keeper at 12.26 Gallery, Los Angeles (2025), They turn into days at Abraham & Wolff, Paris, France (2025), Gravity was an entity at Management, New York (2024), An Infinite Sunder at Lauren Powell Projects, Los Angeles, CA (2023), and Two projections of time , Baseltor Kiosk, Solothurn, Switzerland (2022). She recently completed a residency with Wolf Hill Arts, Chappaqua, NY (2023). Jacox was a recipient of the Marjorie Strider Foundation Grant (2022). Her works and writing have been published in Art Maze (2023) and Yale School of Divinity’s LETTERS journal (2019).